Verónica Uribe

 

Curriculum Vitae

Name: Verónica Uribe Hanabergh
Date of birth: April 17, 1979
Birthplace: Bogotá, Colombia

Studies

  • Humanities Phd. Universidad Pompeu Fabra. Barcelona, Spain. 2009
  • DEA (Advanced Studies Diploma- European Masters Degree). Universidad Pompeu Fabra. Barcelona, Spain. 2005
  • Painting. Visual Arts Program (Honors) GPA: 1st. Class Honors. Canberra School of Art. Australian National University,  Australia. 2001
  • Fine Arts. Bachelor of Arts . GPA: High Distinction. Canberra School of Art. Australian National University, Australia. 2000
  • Fine Arts. Universidad de Los Andes. GPA: 4.6/ 5.0. Bogotá, Colombia. 1997-1999

 

Publications

  • Tarabitas y cabuyas: la representación del puente en arte en Colombia durante el siglo XIX. (Tarabitas and cabuyas: the representation of the bridge in Nineteenth Century Colombian art). Bogotá: Ediciones Uniandes, 2016. ISBN: 978-958-774-261-9
  • Uribe, Verónica. “La Comisión Corográfica colombiana y la Mission Héliographique francesa: dos empresas nacionales a luz del positivismo del siglo XIX”. (“The Colombian Corographic Commission and the French Mission Heliographique: two enterprises at the dawn of Nineteenth-Century Positivism”) Revista Historia y Sociedad. Departamento de Historia de la Facultad de Ciencias Humanas y Económicas de la Universidad Nacional de Colombia, sede Medellín. Número 30. 2016: 171-197.
  • Uribe, Verónica. “Translating landscape: the Colombian Corographic Commission”. The Journal of Arts and Humanities (ISSN 2167-9045) 3 (1), 2014. Pp. 126-136.
  • Uribe, Verónica. “La infructuosa búsqueda de dos bocetos para Ester.” (“Revealing sources: The eager search of two sketches for Esther” in Torres, Rondy Felipe. José María Ponce de León y la ópera colombiana en el siglo XIX & Ester, libreto de Rafael Pombo (José María Ponce de León and Colombian Nineteenth-century opera). Biblioteca Nacional de Colombia y Ediciones Uniandes. Bogotá, 2014. ISBN: 978-958-774-000-4
  • Uribe, Verónica. El pintor viajero: exploración y pintura en la creación moderna (The travelling painter: exploration and painting in modern creation). Erasmus Ediciones. Barcelona, 2013. ISBN: 978-84-15462-14-9
  • Uribe, Verónica. “La influencia del Torso del Belvedere como fragmento accidental en el arte, desde el Renacimiento hasta el siglo XIX.” (The influence of the Belvedere Torso as an accidental fragment, from the Renaissance to the Ninteenth-century). Ensayos: Historia y Teoría del Arte. Universidad Nacional de Colombia. Bogotá, 2013. ISSN: 1692-3502
  • González Aranda, Beatriz. Manual de Arte en Colombia del siglo XIX. Con aportes paralelos sobre arte europeo de Verónica Uribe. (Nineteenth-Century Colombian Art Manual). Ediciones Uniandes. Bogotá, 2013. ISBN: 978-958-695-827-1
  • Uribe, Verónica. El arte del fragmento: El origen del boceto como expresión estética. (The art of the fragment: the origin of the sketch as aesthetic expression). Erasmus Ediciones. Barcelona, 2012. ISBN: 978-84-92806-95-9
  • Uribe, Verónica. “The Sketch and the Imagination in the Travel Notebooks of Romantic Painters.” Lussier, Mark and Matsunaga, Bruce (Eds.). Engaged Romanticism: Romanticism as Praxis. Cambridge Scholars Press, 2008.

 

Conferences

  • “Interpreting the picturesque: images and text in two prints and four descriptions of Charles Saffray`s Voyage à la Nouvelle-Grenade”. AAH 2016. Association of Art Historians. 2016 Conference. University of Edinburgh, April 6-9, 2016
  • “The quest for El Dorado: the Album of Antiques from Nueva Granada by Liborio Zerda”. CAA 2016. College Art Association. Washington D.C., February 3-6, 2016.
  • “Ruin as antique or ruin as memory: Colombian Nineteenth-Century visions of a recent past.” Interdisciplinary Nineteenth-Century Studies Conference: Mobilities. Georgia Institute of Technology. Atlanta, Georgia. April 16-19, 2015
  • “The travelling painter”. Sede Nacional Uniandinos. Bogotá. March 12, 2014. www.veronicauribe.com
  • Tarabitas and Cabuyas: Images of Bridges in Colombian Nineteenth-Century Painting.” Interdisciplinary Nineteenth-Century Studies Conference: Nineteenth-century energies. University of Houston. Houston, Texas. March 27-30, 2014
  • “Revealing Sources: The Eager Search of Two Sketches for Esther”. Interdisciplinary Nineteenth-Century Studies Conference: Leisure, Enjoyment and Fun! University of Virginia, Charlotsville; Virginia. Marh 14-17, 2013
  • “Translating  landscape: the Colombian Chorographic Commission”. Interdisciplinary Nineteenth-Century Studies Conference: Speaking Nature- Pitzer College, Claremont, California. March 31-April 3, 2011
  • “The sketch as a mind-body mediator y Delacroix’s Journal.” The 18th Annual North American Society for the Study of Romanticism Conference: Romantic Mediations. University of British Columbia and Simon Fraser University. Vancouver, Canadá. Agosto 2010
  • “The Sketch and the Imagination in the Travel Notebooks of Romantic Painters.” The 2006 Internacional Conference on Romanticism. Engaged Romanticism: Romanticism as Praxis. Arizona State University. Tempe, AZ. November 2006.
  • “The fragment and the non finito: Romantic Objects from Michelangelo to Rodin” The 2007 International Conference on Romanticism: Romantic Objects. Baltimore, MD. October 18-21, 2007.

 

Work Experience

  • Head of the Art History Program. Departament of Art. Faculty of Arts and Humanities. Universidad de los Andes. Bogotá, Colombia. 2014-2016 present.
  • Associate Professor of Art History. Art Department. Faculty of Arts and Humanities. Universidad de los Andes. Bogotá, Colombia. 2010-2016.
  • PhD Student’s Representative for the University Institute of Culture´s Council., Universidad Pompeu Fabra. Barcelona, Spain. 2004-2005, 2005-2006
  • Teacher: “Maps and Visual Culture”. Fine Arts Department.Universidad de Bogotá Jorge Tadeo Lozano. Bogotá, Colombia. First Semestre 2002.
  • Education Department. Museo Nacional de Colombia (National Museum of Colombia). Bogotá, Colombia. January- September 2002.
  • Bilingual guide (spanish-english) of the Permanent Collection of the Museo Nacional de Colombia (National Museum of Colombia). January- September 2001.

 

Distinctions

  • Research Support Grant: Joseph Brown junior and his travels in Colombia (1826-41). Paul Mellon Centre for the Study of British Art, London. June, 2016.
  • 1st Prize: Premio Julio González Gómez, 2014 with the book: González Aranda, Beatriz. Manual de Arte en Colombia del siglo XIX. Con aportes paralelos sobre arte europeo de Verónica Uribe. (Nineteenth-Century Colombian Art Manual). Ediciones Uniandes. Bogotá, 2013. ISBN: 978-958-695-827-1
  • Secretaría de Cultura, Recreación y Deporte. Becas de Estímulos. Bogotá.
  • Member of the Golden Key International Honor Society. Australian National University. Canberra, Australia. December 2001.